A new play by Luigi Laraia
With Richard Tanenbaum & Daniel Owen
Directed by Pablo Andrade
September 13, 14, &15 | 7:30 pm | $25*-35 TICKETS
HB Playwrights Theatre
124 Bank Street, New York City
In true Hitchcockian style, the author sets the play in an everyday space and invites the audience to share it with the actors.. Claustrophobic, gripping, relevant.
— Capital Fringe Festival
A parable about climate change and its impact on two unsuspecting individuals trapped in an elevator in a modern-day high rise. At its simplest level, TOO CLOSE is a microcosm of a world in which depletion of resources leads to the inhumanity of man against man.
Each evening will also feature leading scientists, writers, and climate change activists discussing the global impact of climate change on our daily lives and ultimately the relationships within our community. Followed by a complimentary reception.
*$25 Student Tickets are available in limited quantities!
HAK is an outcry of people who had to leave their home.
Based on the real life story of Amal Omran, a Syrian actress who left her home, HAK follows the story of five characters after leaving their war-torn country and hopes to communicate one of the biggest humanitarian crisis.
Created and Directed by Emilyn Kowaleski and Sarah Stites
This Play Was Not Written by a Woman is a devised performance piece that explores the layered nature of personal identity and self-expression. By creating privilege-wielding alter-egos and aggressively self-positive WWE wrestling personas, our ensemble lampoons society’s expectations of sex, gender, and race in a raucous farce of never-ending reveals.
THE PERFORMING ARTS LEGACY PROJECT at The Actors Fund (PAL) is an inter-generational project to document and represent performers’ careers aged 62+. Trainers, students and volunteers work to create career timelines, oral histories, video and audio life reviews, capturing memorabilia and experiences, and saving our national legacy. The digital legacies will be housed at an open source archive online, as well as in related performers’ unions and libraries. PAL is being piloted with small cohorts of actors aged 62+ at The Actors Fund and several small theaters around New York City towards a public launch.
Join us to hear about the project from its creator, Joan Jeffri (Director of the Research Center for Arts and Culture) and to see a preview of the online platform.
Also featuring HB Studio’s Craig Dolezel, a PAL Fellow and participant in the project. More speakers TBA!
Six evenings, six plays-in-process: staged readings of new works.
June 26 – July 1, 2018 | 7pm
HB Playwrights Theatre 124 Bank Street, NYC RSVP
June 26 – LOVE, ROSE by Reneé Flemings
Set during the Age of Jazz, “Love,Rose” is one woman’s story of overcoming challenges of loving who you love and how the truth becomes malleable when race is at the heart of the matter.
June 28 – NIGHT SHADOWS by Lynda Crawford
Russian poet Anna Akhmatova is keeping her promise to tell of the “true twentieth century”—of lives disrupted, her poetry banned, and so many loved ones lost under Stalin’s brutal regime.
June 29 – MR. WAHEEB by David Loughlin
A young black man has been picked-up by Federal agents and taken to an interrogation room in lower Manhattan. He is suspected of being connected to a massive terror strike against the United States. He is young, naive, and very possibly innocent.
TECTONIC THEATER PROJECT is an award-winning company whose plays have been performed around the world. The company is dedicated to developing innovative works that explore theatrical language and form, fostering an artistic dialogue with audiences on the social, political, and human issues that affect us all. In service to this goal, Tectonic supports readings, workshops, and full theatrical productions, as well as training for students around the country in their play-making techniques.
Tectonic Theater Project was founded in 1991 by Moisés Kaufman and Jeffrey LaHoste. Tectonic refers to the art and science of structure and was chosen to emphasize the company’s interest in construction — how things are made, and how they might be made differently.
Its groundbreaking plays, The Laramie Project, Gross Indecency: The Three Trials of Oscar Wilde, and I Am My Own Wife among others have sparked national discourse and have inspired artists and audiences worldwide.
BEE is the story of Izat, a young Iranian girl trapped in an abusive marriage in the 1940s. After years of suffering both physically and mentally at the hands of her spouse she knows the only way she will survive is if she is able to leave him. In an unprecedented move her father is able to use his influence to secure a divorce for her. Moving back and forth in time from 1940 to 2009, the story weaves together Izat’s struggles with her path to a happier life. Based on a true story and inspired by a collection of interviews from Middle Eastern immigrants and refugees.
Curated by Peter J. Kuo Hosted by Peter J. Kuo, Melissa Slaughter, and Alex Chester. Recorded live for the podcast We’re Not All Ninjas. Featuring a panel of industry pros, including Annie Henk and Tonilyn Sideco.
Monday, April 30 | 3:30pm | FREE | RSVP
HB Studio, The Speech Room, 3rd Floor, 120 Bank Street
Join us for a panel discussion and live podcast recording about race, casting and representation in the theater, film and TV industry. This will be an intimate roundtable forum, with a Q&A with an invited audience.
The Immigrant Arts Coalition is a network of multi-disciplinary arts organizations and artists united to empower immigrant arts, advocate for diversity and fair representation of all cultures, and celebrate the immigrant arts contributions to American culture. Formed in July 2017, The Immigrant Arts Coalition recognizes the importance and ongoing contribution of artists and arts organizations, who represent America’s diverse cultural mosaic. Members – represented by artists and organizations – will serve as the united front for advocacy, audience development, and work to collaborate with ongoing and continuous shared programs.