Presented by Paul Pryce
This workshop is for the adventurous actor craving an inventive and creatively rich and imaginative approach to uncovering a monologue. Whether tried and true pieces or new work, at the end of these 5 weeks you will be armed with practical tools to help you live spontaneously in the moment every time you perform.
Through a series of imaginative acting exercises, guided daydreaming, improvisations, psychophysical actions, and text analysis our goal is to ‘break open’ the monologue and find the guts in the piece that viscerally grab you, compelling you to speak the words rather than dutifully executing the writer’s story. We must do the ‘homework’ fully then throw it all away for our impulses to take hold of us, and hopefully, surprise us.
Participants must bring 3 monologues that they are excited by. One can be an old piece but ideally, they should all be new. Please read the play from which they come from and bring a hard copy of each monologue for the instructor.
This class will also discuss the realities of auditioning for graduate school programs and in the industry as a whole in theater, film, and television as well as auditioning for casting directors, agents and managers.