All classes will be held online via Zoom until we are able to resume classes at the Studio.
Sign up for either Part A or Part B independently (5 weeks each), or join both for the full 10 week term. You may join Part B without taking Part A.
You apply advanced lessons in technique and text analysis to the preparation, rehearsal, and presentation of scenes from a range of contemporary and classic plays. The work may incorporate Modern (19th/early 20th century) and Classical texts, as well as heightened, non-linear, and experimental material. Scenes are presented in class for critique, then reworked to explore and apply feedback. Extensive research, preparation, and rehearsal are expected outside of class. Skills: understanding and realizing the event of the scene; layering conscious and unconscious behavior; applying technique as a tool to solve challenges outside your comfort zone; transformation of self. Through extensive examination, research, and experiment, you discover and rediscover the level of action and commitment needed to fulfill the form and idea of the play.
Expected rehearsal time outside of class: 6+ hours / week
When choosing a class, please refer to instructors’ teaching statements and bios, found on the faculty page, for greater detail about their approach to meeting the course goals. Every instructor brings their own methods and experience and teaching styles vary. You are encouraged to read about and audit the classes of each instructor to find the right fit for you:
Reading for Paul Pryce’s Class:*
- Required: DIFFERENT EVERY NIGHT by Mike Alfreds
- Recommended: A CHALLENGE FOR THE ACTOR by Uta Hagen.
(*No reading required for classes with Michael Beckett or Rochelle Oliver)
Please review registration prerequisites before enrolling (on the right-hand side of this page on desktop or below on mobile).
You may join Part B without taking Part A: