Full Productions

Burnt Piano

An HB Ensemble Production

Playwright: Justin Fleming

Director: William Carden

Cast: Karen Idlewild, Pete Idlewild, Jonah Idlewild, Sam Beckett, Laila Robins, Grege Mullavey, Dennis Michael Hall, Fritz Weaver, Anna Minot.

 Set: Ray Recht Costume Design: Amela Baksic Lighting: Chris Dallos Sound: Robert Auld Casting: Stephanie Klapper CSA* Production Stage Manager: David Apichell Assistant Director: Catherine Siracusa Dramaturg: Maxine Kern Pianist: Steven Lubin Technical Director: Carlo Adinolfi Master Electrician: Joshua C. Allen

Burnt Piano was performed March 3rd – 18th, 2001

Synopsis: Karen Idlewild goes on a trip to Paris with her father, Peter and her son, Jonah to see an author named Sam Beckett, whom she loves. She struggles to get a hold of Beckett as he believes all of his fans are dangerous, so he won’t respond to her letters. Beckett’s wife and other people in his life are also an obstacle keeping Karen from seeing Beckett.

Burnt Piano - HB Studio

Mall America

An HB Studio Performance

Playwright: Peter Sagal Mall America - HB Studio

Director: William Carden

Cast: Todd Crain, Jodie Markall, Ken Marks, Tony Martinez, Stephen Mendillo, Adam Rose, Eddie Weiss, Guy Whitlock

Director: William Carden Set: Ray Recht Costume: Deborah R. Rosen Lighting: Chris Dallos Sound: Bob Auld Production Manager: Kimberly I. Kefgen Casting: Stuart Howard, Amy Schecter, Howard Meltzer C.S.A. Casting Assistant: Deborah Leipzig

Mall America was performed April 7th – 9th,  12th – 15th,  19th – 22nd

Synopsis: Allison was feeling weird so she hopped a bus to the mall. A man on the bus was also feeling weird. But he had a gun…and lots of ammunition.

A Diary of the Nazi Years

An HB Studio performance

Playwright: Victor Klemperer Adapted by:  Karen Malpede & Bartenieff  A Diary of the Nazi Years - HB Studio

Cast: George Bartenieff

A Diary of the Nazi Years was performed February 25th – 26th, March 4th – 5th, March 10th – 11th

Synopsis: This diary represents the unusual perspective of a Jew throughout all twelve years of Nazi power. Its unique contribution to the field of Holocaust literature is its step-by-step presentation of the systematic dehumanization and persecution of the Jews in Nazi Germany. Some readers focus on the fact that Klemperer knew Germans who were sympathetic to him as a Jew at a time when it was unpopular to be so. Others hold the diary up as evidence that the horrors of the Holocaust were widely known at the time, an issue that has been sharply debated over the years. Regardless of the reader’s or scholar’s interpretation of the diary, its important historical value is universally recognized.

 

The Wax

HB Studio’s Herbert Berghof Memorial Production

Playwright: Kathleen Tolan The Wax - HB Studio

Director: William Carden

Cast: Max Chalawsky*, Bruno Gioiello, David Greenspan*, Anne Lange*, Alice McLane*, Julia Muller*, Tracy Sallows*, David Simonds*, Janet Zarish*.

Director: William Carden Set: Markas Henry Costumes: Amela Baksic Lighting: Chris Dallos Sound: Robert Auld Composer and Musical Advisor: Richard Beaudoin Master Electrician: Josh Allen Casting: Stuart Howard, Amy Schecter, Howard Meltzer Production: Kimberly I. Kefgen

*Appearing courtesy of Actor’s Equity Association

The Wax was performed November 5th – 21st, 1999

Synopsis: At an out of town wedding, in a hotel by the sea, a bevy of soul-searching writers and scientists finds itself catapulted into full existential crisis. When lust and longing pervade, passion and poetry prevail, in this postmodern ode to middle-age mania.

The Quick-Change Room

An HB Ensemble Production

Playwright: Nagle Jackson

Director: Karen Ludwig

Cast: George Bartenieff, Georgina Bates, Felipe Bonilla, Fabio Costaprado, Beth Dzuricky, Lisa Ingrisano, Amanda Plant, Carol Rosenfeld, Sean St. John, Tom Tagliente

The Quick-Change Room was performed July 13th-29th

Synopsis: Set against the crumbling of the Soviet Union, as observed backstage at the Kuzlov Theater in St. Petersburg, THE QUICK- CHANGE ROOM is the comedic metaphor for the too-rapid transformation of Russia from communism to free-market capitalism. Nina, the daughter of the wardrobe mistress, has been cast as Irina in a revival of Chekhov’s The Three Sisters. Using her considerable talents—theatrical and otherwise—she persuades management that what Chekhov’s play needs in the New Russia is “music…some songs…maybe even some dances.” Chekhov’s masterpiece becomes, for marketing purposes, an American style musical titled O My Sister! The venerable artistic director is kicked upstairs—after all, “Russia doesn’t need great men now; it needs clever men”—and the long-reigning prima donna ends up working in wardrobe. A funny-sad commentary on current events, the metaphor of the quick-change room is not lost on the audience as the world around the acting troupe changes as drastically and as quickly as the world outside.

Under the Bed

An HB Ensemble Performance

Playwright: Susan Sandler Under The Bed - HB Studio

Director: Gus Kaikkonen

Cast: Scotty Bloch, Cynthia Harris, Joel Rooks, Marilyn Sokol, Joyce Van Patten

Set: Ray Recht Lighting: William Armstrong Costume: Suzanne Chesney Sound: Robert Auld Choreographer: Liz Curtis Associate Choreographer: Tony Scheppler Production Stage Manner: Shiraz Biggie Technical Director: Christopher Hoyt Casting Consultant: Stephanie Klapper Running Crew: Takumi Mitobe, Jorge Esguiera, Matthew Tischler, Julio Pena, Koichiro Scenic Charge Artist: Adris Krumkalns Scenic Artist: Chelsea Clarke, Amanda Raglevsky Technical Director: Christopher Hoyt Master Carpenter: Michael Merunka, Jr. Electrics Crew: Matthew D. Britt, Andrew Kerr-Thompson, Benjamin C. Tevelow, Krista Kujat Build Crew: Noelle Neglia, Tadhg O’Mordha, David Sih, Matthew Tischler, Luchia Dragosh, Marissa Vila, Ryen Herrman, Mary Willis White, Kathleen Peirce.

Appearing Courtesy of Actor’s Equity Association

Under the Bed was performed April 20th – May 5th, 2005

Vassa Zheleznova

An HB Performance

Playwright: Maxim Gorky

Director:

Vassa Zheleznova was performed during the 2004-2005 season

Synopsis: There are no miracles in this world. Only those we make for ourselves. It’s 8am and a revolt is underway. The father is dying. The son is spying. The wife is cheating. The uncle is stealing. The mother is scheming. The dynasty is crumbling. One house. One fortune. One victor.  A tragic portrait of a woman with an iron will determined to root out the corruption in her family in order to keep control of the family business.

The Habitation of Dragons

HB Studio’s  2004 Founders Memorial

 Playwright: Horton Foote The Habitation of Dragons - HB Studio

Director: William Carden

Cast: David Adams*, Carol Goodheart*, Pearce Green, Tim Hopper*, Kahan James*, John Juback*, Richard Mawe*, Jim McGurn, Rochelle Oliver*, Jess Osuna*, Kathleen Peirce, Amanda Plant, Lorca Simons*, Victor Slezak*, Adam Stern, Mark Thornton*.

Scene: Michael Schweikardt Lighting: Greg MacPherson Costume: Suzanne Chesney Sound: Sten Sevrson Fight: Ian Marshall Production Stage Manager: Shiraz Biggie Production Manager: Matthew D. Britt Technical Director: Paul Bradley

*Appearing Courtesy of Actor’s Equity Association

The Habitation of Dragons was performed December 4th – 5th, 7th – 11th, 14th – 19th, 2004

Synopsis: It’s 1935 in Harrison, Texas. George Tolliver has decided to run for county attorney general, but his older, and more successful, brother Leonard tries to dissuade him because the family’s backing has already gone to another local lawyer, his brother-in-law, Billy. George runs, though, after lashing out at the more successful Leonard for less than moral support in the past. At the same time, their late father’s brother Virgil appears on the Tolliver family’s doorstep, asking for shelter now that he’s old and broke. It’s a hard decision for the widowed Mrs. Tolliver since Virgil once abandoned them years ago when they needed money; still, they take him in. Within days, Leonard’s wife Margaret is found out to be having an affair with Wally Smith, her husband’s handyman. On the very same afternoon, both of Margaret and Leonard’s young boys drown while swimming in the river with Wally. Believing this to be a punishment for her adultery, Margaret has a breakdown and is institutionalized. In his grief, Leonard lets his law practice crumble and in despair reveals to his mother that he’s always known his father committed suicide and did not die accidentally. Things aren’t made any easier when Margaret’s brother, Billy, murders his sister’s lover and now a neighbor wants to blackmail the Tollivers with a packet of love letters sent from Margaret to Wally Smith. Eventually, Margaret returns home to beg her husband’s forgiveness. At first Leonard refuses, but he realizes he does want to start over again and he forgives Margaret before she shoots herself with the gun Leonard was going to use on himself. George, having had to make up for Leonard’s absence, has rediscovered his calling as a lawyerand has finally risen to the responsibilities of his own new marriage, impending fatherhood and leading the sorrowful Tolliver household.

Two Evenings of One-Act Plays

An HB Ensemble Production

Playwrights: Eugene Ionesco, Tennessee Williams, Fernando Arrabal, Don Nigro, Horton Foote, Christopher Durang, Harold Pinter,

Directors: Aleksey Burago, Kate Bushmann+, Rasa Allan Kazlas+, Ian Marshall, Amy Wright.

Cast: Georgina Bates, Stephanie Braxton*, Jim Boerlin*, Emily Cain, Snezhana Chernova, Daniela Dakic, AC Davidson, Toni Ann DeNoble, Nick DeSimone, Pascal Escriout, Koichiro Goto, Elizabeth Grey*, Hanna Hayes, Cordis Heard*, Ryen Herrmann, Gregory Higgins, Genc Jakupi, James LaChere, Philip Kushner, Barry McBrien, David McElfresh*, Rachel Murdy, Etienne Navarre, Noelle Neglia, Dara O’Brien, Marci Occhino, Tadhg O’Mordha, Kathleen Peirce, Marilyn Porayko, Paul Pryce, Anil Ramani, Sophia Remolde, Judy Rosenblatt*, Tony Siniscalchi, David Shih*, Catherine Siracusa, David B. Sochet*, Michael Spence, Ying Yu Tan, Thomas Tinelli, Matthew Tischler, Sharon Wajswol, Derek Wong, Marius Zilberstein.

Stage Manager: Alan Bluestone Production Manager: Shiraz Biggie Assistant Directors: Alan Bluestone & Sharon Wajswol Production Assistant & Set Design: Emily Chain Costume Design: Kanlaya Phoutinane Costumes and Projection Sketches: Catherine Siracusa Props: Elizabeth Grey Sound Editor: Kenneth Feldman Choreography: Georgina Bates Original Music & Lyrics: Nick DeSimone.

*Appearing Courtesy of Actor’s Equity Association, +Member of the Society of Stage Directors and Choreographers

Two Evenings of One-Act Plays were performed in 2006

EVENING A

The Bald Soprano by Eugene Ionesco:

The Long Goodbye by Tennessee Williams:

Picnic on the Battlefield by Fernando Arrabal:

EVENING B

The Daughters of Edward D. Boit by Don Nigro:

The Dancers by Horton Foote:

The Actor’s Nightmare by Christopher Durang:

Mountain Language by Harold Pinter: